Strategies against architecture

Mud on paper
190 x 150 cm

They defend each other against the past

Oil on stainless steel ( From B-Series )
100 x 140 cm

Ende Neu

Mud on paper
140 x 100 cm

They are just rocks

Diptych ( From J-Series )
150 x 100 cm and 50 x 70 cm

Untitled (Shadow XIV)

Oil on steel
70 x 50 cm

Untitled (Shadow XXIV)

Oil on steel
35 x 50 cm

Untitled (Shadow XX)

Oil on steel
45 x 38 cm

Untitled (Shadow XXIII)

Oil on steel
70 x 50 cm

Untitled (Shadow XXVI)

Oil on steel
140 x 100 cm

Untited (Shadow XIX)

Oil on steel
100 x 70 cm

Untitled (Shadow XXV)

Oil on steel
70 x 100 cm

Untitled (Shadow XXII)

Oli on steel
70 x 50 cm

Untitled (Shadow XVI)

Oil on steel
70 x 50 cm

Untitled (Shadow XV)

Oil on steel
100 x 70 cm

Untitled (Shadow XVIII)

Oil on steel
150 x 90 cm

Untitled (Shadow XI)

Oil on steel
29,7 x 21 cm

Untitled (Shadow IX)

Oil on steel
70 x 50 cm

Untitled (Shadow VI)

Oil on steel
100 x 70 cm

Untitled (Shadow IV)

Oil on steel
15 x 10 cm (4 parts)

Untitled (Shadow I)

Oil on steel
10 x 7,5 cm

Untitled (Shadow VII)

Oil on steel
15 x 10 cm

Untitled (Shadow V)

Gouasche on paper
29,7cm x 21cm

Untitled (Some City)

Gouasche on paper
27 x 21cm each

Black Field V

Gouache on paper
30,5 x 22,5 cm

Black Field III

Gouache on paper
30,5 x 22,5 cm

Untitled (Cold Summer 3)

Pencil on paper
50 x 30 cm

Black Field VII

Gouache on paper
30,5 x 22,5 cm

Untitled (Cold Summer 2)

Pencil on paper
30,5 x 22,5 cm

Black Field VI

Gouache on paper
30,5 x 22,5 cm

Untitled (Étang)

Pencil on paper
30,5 x 22,5 cm

Untitled (Midday)

Pencil on paper
30,5 x 22,5 cm

Black Field VIII (Greek Salad)

Gouache on paper
115 x 72 cm

Black FIield IV

Gouache on paper
30,5 x 22,5 cm

Black Field II

Gouache on paper
30,5 x 22,5 cm

Untitled (Cold Summer 1)

Pencil on paper
30,5 x 22,5 cm

Untitled (ST)

Gouasche on paper
45 x 30 cm

Me, Myself and Chicago

70 x 50 cm
ink on paper

A cada cerdo le llega su San Martín

A cada cerdo le llega su San Martín (Everyone comes to his day of reckoning) it is the title of one of the works, but at the same time is taken to define all of them. It is based on the representation and study of oblivion, more specifically on the disappeared civilizations, of those first cities that have been eroding, degrading and dying over time. The materialisation of these concrete ruins is nothing more than highlighting the inevitable end of being. It stands as a portrait of what we were and what we have destroyed, but which at the same time does not fail to show us this stoic account of the eternal return. In this sense, A cada cerdo le llega su San Martín, is no longer represented only as a past, but as a future, an imminent future. On October 30, 1938 on CBS radio Orson Welles narrated how the Martians attacked the land. The adaptation I make with They are just rocks is that the invasion was not extra-terrestrial but terrestrial and that we as a whole, as humanity, were and will be the invaders. Moving away from the warlike vision that Welles made, the premonitions of disappearance are not of a war but of a technological and social reality.

Link to PDF → A cada cerdo le llega su San Martín ENG

About the Absence, Galeria Vilaseco. (2019)